Turkish mezzo-soprano Lori Şen is known for her versatility in many vocal genres, including opera, art song, musical theatre, and jazz, as well as for her teaching and research interests in vocal literature, voice pedagogy, and voice science.
Lori was born into and raised in a scientific household in Izmir, Turkey, which led her onto her unique path towards a career in music that began with a Bachelor of Science degree in Physics. Throughout her physics studies at the Middle East Technical University (METU) in Ankara, Turkey, she performed in numerous concerts and shows as a member of “The Company” METU Musical Society and a student of the well-known Bulgarian jazz singer Yıldız Ibrahimova.
Lori’s musical experiences at METU amplified her interest in music, which gradually evolved into a desire to pursue a career as a singer. Upon completion of her B.Sc. and M.Ed. degrees in physics, she was accepted as a classical voice major at Dokuz Eylül University State Conservatory of Music in Izmir, Turkey, where she studied with distinguished American soprano Jeanette Thompson for five years. During her undergraduate studies in music, she continued to sing jazz as the vocalist of jazz bands RagBag, In n’ Out, and Heaven Experience. She also founded and directed the Jewish Community Choir in Izmir, through which she had the pleasure of making a musical contribution to the community.
The more educated Lori became in singing, the more she was fascinated by the vocal anatomy, which led to her interest in vocal pedagogy. She applied for a Fulbright Scholarship in Turkey, and was selected as a grantee to pursue a Master’s degree in voice pedagogy in the United States. Lori received her Master of Music in Voice Performance and Pedagogy at Westminster Choir College, in Princeton, NJ, as a Fulbright student, where she studied voice with internationally renowned dramatic soprano Sharon Sweet. She also performed vocal pedagogy and voice science research under the tutelage of Dr. Kathy Price that allowed her to make use of her physics background. Her research has been presented both at The Voice Foundation Symposium (2014, 2015) and the National Association of Teachers of Singing (NATS) National Conference (2014). Lori’s operatic appearances at Westminster include Marta/Iolanta, La Ciesca/Gianni Schicchi with Westminster Opera Theater, Pauline/Pique Dame and Prima Donna/Ariadne auf Naxos with Westminster Opera Workshop.
Lori's more recent performances include solo recitals, Angelina/La Cenerentola with Opera Nova, and she was featured as the alto soloist in the Mozart Requiem performance of the Symphony Orchestra of Northern Virginia (SONOVA).
Lori is currently pursuing her Doctor of Musical Arts degree in Voice Performance at the University of Maryland, College Park, where she studies with Martha Randall. Her dissertation project, Sephardic Art Song: A Musical Legacy of the Sephardic Disapora, explores the Sephardic Art Song repertoire from the Western classical perspective. Over the past year, she has introduced this repertoire to audiences through solo recitals, in addition to her lectures on the history, language, and culture of the Sephardim, and elements and stylistic features of Sephardic music. Recently, she presented her research at the 14th Barcelona Festival of Song in Barcelona, Spain.
Lori has an active performing and teaching schedule in the Washington, D.C. area.